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’65 Prince TM – Line 6 HX Tone Match Patches (Helix, HX Stomp, POD Go)

$14.99

Line 6 HX patches featuring our vintage 1965 Fender Princeton (non reverb) amplifier. For these patches, we’ve tone matched the Line 6 hardware to the actual amplifier, resulting in patch that sounds almost exactly like the amp.

Includes patches for Helix, HX Stomp, and POD Go

Description

PATCHES

This download includes patches for Helix, HX Stomp, and POD Go. Please make sure to import the appropriate patch for your hardware – they are not interchangeable.

The pack includes 2 patches (each with SC and HB options). For the ‘A’ patches, we tone matched the amp using an Alessandro/Eminence 10” GA64 speaker. For the ‘O’ patches, we tone matched the amp through a vintage 60’s 10” Oxford speaker. The ‘A’ patches are a bit brighter and more scooped.

  • 65 Prince A/O TM WT S – This patch uses the IR’s and is meant for guitars with single coils.
  • 65 Prince A/O TM WT H – This patch uses the IR’s and is meant for guitars with humbuckers.
  • NOTE: The HX Stomp and POD Go folders include ‘FX” patches. These patches include the additional effects blocks from the full Helix patch.

OUR VINTAGE 1965 FENDER PRINCETON, NOW IN YOUR LINE 6 HARDWARE

For these patches, we tone-matched the stock HX amp models to our vintage 1965 Fender Princeton (non-reverb). The result is a set of Impulse Responses that completely transform the HX amp models, making the Line 6 hardware sound exactly like our amp, and the microphones, preamps, and EQ chains that we use to record it.

This is a pristine example of a vintage ’65 black-panel non-reverb Princeton. The non-reverb Princeton’s have quite a different gain stage than the Princeton Reverbs. The Reverb circuit adds a gain stage which makes them break up a lot sooner. The non-reverb Princeton’s stay clean much longer. They have a slightly different tonal response, too.

Our amp has a 10” Alessandro/Eminence GA64 speaker, which is voiced like the vintage 60’s speakers used in these combos. We also tone-matched the amp through a vintage 60’s 10” Oxford speaker.

SIGNAL FLOW AND EFFECTS

  1. Input
  2. Compressor
  3. Drives: KOT, 808, Dhyna Drive (Zendrive)
  4. Volume – mapped to EXP 2
  5. Tremolo
  6. Chorus
  7. Delays: 1/8 delay, Dotted 8th delay, Dual stereo delay
  8. Reverbs: Hall (subtle), Dynamic Hall (huge)
  9. Amps
  10. IR (Tone Match)
  11. EQ
  12. Output

The HX Stomp and POD Go patches cannot fit all the effects into a single patch. For those platforms, we include the amp and essential effects in the main patches, and then we include the additional effects blocks in the ‘FX’ patches. Feel free to mix and match the additional ‘FX’ blocks into the main patches to suite your needs.

SNAPSHOTS

  • Snapshot 1: CLEAN. Base clean tone
  • Snapshot 2: DRIVE. Stage 1 drive tone
  • Snapshot 3: DRIVE+. Big rhythm tone
  • Snapshot 4: P&W LEAD. Lead tone with lots of delay and verb
  • Snapshot 5: AMBI CLEAN. Clean tone with lots of delay and verb
  • Snapshot 6: CLEAN TREM. Clean tone with tremolo
  • Snapshot 7: CLEAN CHORUS. Ambient clean tone with chorus
  • Snapshot 8: SWELLS. Big ambient swells tone

POD Go:

  • Snapshot 1: CLEAN. Base clean tone
  • Snapshot 2: DRIVE. Stage 1 drive tone
  • Snapshot 3: P&W LEAD. Lead tone with lots of delay and verb
  • Snapshot 4: AMBIENT. Ambient clean tone

NOTE: The HX Stomp patches do not include Snapshots

CHANGELOG

Initial Release (1.0): 2022-10-04

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