The Orange OR120 is classic/vintage rock and roll. Orange is sometimes referred to as the ‘other British amp’. It’s voiced a bit different than Marshall, but the tones are equally as legendary in classic rock genres. The OR120 can go from clean to huge crunch tones.
The MIG-50 is essentially a Russian-made Fender Bassman. Sovtek was originally created by the founder of Electro-Harmonix, utilizing high quality Russian components. The MIG-50 sounds like a big, fat Bassman. It reminds us of the classic black-panel designs from Fender.
Presets and captures of an original Mesa Boogie (pre-Mark 1). Think of this one as a 100w Princeton – it sounds big. Really big.
This is Brian’s go-to live patch. It features tone match IR’s of Brian’s favorite stereo amp combo – his ’94 Matchless C-30 and his Matchless Clubman 35.
Goodsell has become very well known and well respected in the boutique amp market, and the Super 17 is one of the original designs he made. The first Super 17’s were partially made from Hammond organ parts. Over the years the Super 17 has gone through several iterations, but the originals are highly revered.
The Clubman is an EF86 powered amp that shares a bit of it’s DNA with both the flagship C-30 and the Chieftain. We feel like you can hear the character of both of those amps in the Clubman – you get the grind and thickness of the Chieftain with the chime and top end of the C-30. It’s quickly become one of our favorite Matchless amps.
The Rockerverb 100 mk3 from Orange is an impressively versatile amp with an absolutely awesome dirt channel.
The ‘Elmsly’ amp model is a Line 6 original that was introduced in with the 3.60 firmware for Helix and HX Stomp.
Line 6 HX (Helix, HX Stomp) patches based on the Grammatico GSG100 amp model.
The Rockerverb 100 mk3 from Orange is an impressively versatile amp with an absolutely awesome dirt channel.
The Fender Pro is a bit of an unsung hero. It doesn’t have the name recognition of the Deluxe Reverb, Bassman, or Vibroverb, but we consider it to be one of the sweetest sounding of the vintage black panel Fenders.
These patches are designed to replicate The Edge’s rig from U2. We’ll say it up front: it is nearly impossible to replicate The Edge’s rig into a single Helix or Axe-FX patch (or into multiple Helix patches, even), but this one gets really close