3rd Power Dual Citizen
The Dual Citizen from 3rd Power is a boutique amp designed to nail classic tones from vintage Vox and Fender circuits
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Bogner Duende
The Bogner Duende is a two-channel, vintage-voiced 1×12 combo amplifier that evokes Fender Deluxe and Marshall Plexi type tones.
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3rd Power Majestic 40
The Majestic 40 is the Stu G signature amp from 3rd Power. It is meant to be a modern interpretation of Stu’s vintage Park combo amplifier.
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Fender ’64 Princeton Reverb Hand-wired Re-issue
The Fender ’64 Princeton Hand-wired Re-issue is a faithful reproduction of a vintage Princeton
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Benson Monarch
The Monarch from Benson is a smaller amp that sound incredibly good and has a lot of versatility. It features two different voices via a toggle switch – American and British, which are designed to get classic Fender and Vox tones.
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Supro Thunderbolt (mid-60’s)
Our vintage 60’s Supro Thunderbolt features the original 15″ Jensen speaker, which gives it a massive sound. It’s very ‘vintage’ sounding, but still extremely versatile. It’s huge low end stays refined when pushed with gain. This amp delivers big rich cleans and driven tones with tons of harmonics.
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1963 Fender Bassman (6G6-B)
From 1963 till mid-1964, Fender produced the 6G6-B Bassman, often referred to as the ‘Tuxedo’, given it’s mixture of brown and black-panel appointments. It is a highly coveted and rather rare version of the Bassman, and embodies tonal characteristics of the earlier tweed as well as the legendary black panel designs. We tone-matched these presets using the original 2×12 piggy-back cab loaded with the original vintage Oxford speakers.
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Tone King Imperial Mk II
The Imperial is Tone King’s take on a Fender Deluxe Reverb, but with some very welcome modern tweaks. To our ears, the low end is tightened up significantly, which results is much smoother and more use-able driven sounds from the amp. This is one of our all-time favorite Fender Deluxe tones..
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Matchless C-30 (1994)
The C-30 from Matchless is an absolutely legendary amp. This was Matchless’s first amp design, featuring a 12ax7 (Top Boost inspired) channel and an EF86 (thicker with more gain). Our is from 1994 – often referred to as the ‘Sampson era’. One of the best sounding amplifiers we’ve ever heard.
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Matchless Laurel Canyon
The Laurel Canyon is the first 6v6 amp from Matchless. You could think of it as Matchless’s take on a Princeton or Deluxe, but with a very ‘Matchless’ top end (read: chime and clarity).
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EVH 5150 iii
The Fender/EVH 5150 iii is a 50 watt, 3-channel amplifier with a massive amount of gain on tap.
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Bad Cat Cub III 40
The Bad Cat Cub III 40 is somewhat based on a Matchless C30, but with it’s own character.
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