’63 Bassman – Line 6 Helix Patch


Line 6 Helix patch based on a vintage 1963 Fender Bassman. This patch uses the Bassman Helix amp model and IR cabs from a ’63 Bassman cab loaded with vintage Oxford speakers. Includes tons of stomp box and snapshot options, as well as separate patches voiced for single coils and humbuckers.



1. UPDATE YOUR FIRMWARE: Please upgrade the firmware on your Helix and the HX Edit software from Line 6 to the latest before installing this patch. Even if your Helix is up to date, the ‘HX Edit’ app needs to be updated as well. If you get an error importing a patch, the problem is most likely outdated firmware on your Helix/HX Edit.

2. IR CABS INCLUDED: This download includes two premium IR cabs from our ’63 B-MAN OXFORD IR pack. These IR’s are essential to this patch, as they allow the stock Bassman amp model to take on the character of Brian’s vintage 1963 Fender Bassman amp.

Here are the IR’s included:

  • WT B-MAN Oxford SR25 (top row)
  • WT B-MAN Oxford 121 (bottom row)

With Firmware 2.90, Helix should recall the IR based on its name rather than slot number, so it shouldn’t matter which slot you import the IR into.


This download includes two patches as well as the IR cabs. The patches are:

  • 63 Bassman WT SC – This patch uses the IR cabs and is meant for guitars with single coils or low output humbuckers
  • 63 Bassman WT SC – This patch uses the IR cabs and is meant for guitars with more traditionally voiced humbuckers
  • NOTE: There is no stock cab version of this patch – tonally it is dependent on the included IR cabs.


  1. Connect your Helix to your computer using a USB Cable
  2. Download and instal the ‘HX Edit’ app from Line 6
  3. In the ‘HX Edit’ app, drag and drop the patch into a slot in the ‘PRESETS’ column
  4. To import an IR, switch to the ‘IMPULSES’ column (next to the PRESETS column), and drag & drop the IR into the an open slot.
  5. PLEASE NOTE: If you do not have the IR loaded into the ‘IMPULSES’ column, the patch will not sound correct, even if you have the IR block on – you must drag and drop the IR into the IMPULSES column.


  1. Input
  2. Deluxe Comp – not mapped to a switch, always on
  3. Heir Apparent – mapped to switch labeled ‘Heir Apparent
  4. Teemah! – not mapped (feel free to experiment with this drive compared to the other ones)
  5. Scream 808 – mapped to switch labeled ‘Scream 808’
  6. Tremolo – mapped to a switch labeled ‘Tremolo’
  7. Volume (log curve) – mapped to EXP 2
  8. Amp – Tweed Blues Brt
  9. IR’s – see above for IR info
  10. Cali Q EQ – Always on EQ – Use this EQ to make tonal tweaks for your guitar/setup. These controls will affect your tone differently than the amp controls.
  11. Transistor Tape Delay – 1/4 delay – mapped to switch labeled 1/4 DLY’
  12. Transistor Tape Delay – 1/8d delay – mapped to switch labeled 1/8d DLY’
  13. Dual Delay – Dual Delay (1/8d + 1/8) – mapped to switch labeled ‘Dual ST DLY’
  14. Plate Verb – subtle reverb – mapped to a switch labeled ‘Plate Verb’
  15. Dynamic Hall Verb – ambient reverb – mapped to a switch labeled ‘Big Hall’
  16. Glitz Verb – mapped to a switch labeled ‘Swells Verb’
  17. Output


We have mapped the ‘Drive’ and ‘Bass’ parameters of the amp block to a button labeled ‘CRANKED’. Pressing this button will turn the gain up (and the bass down a bit). This gives you a pure amp overdrive, which sounds awesome. You can stack this with the drive pedals for big drive sounds.


This patch is meant to be used in either stompbox or snapshot mode. We recommend setting up your Helix to use all ten stomps (stompbox mode) or all eight snapshots (snapshot mode). The Helix LT does not allow 10-button stomp mode, so you’ll have to re-arrange the button assignments to suite your preferences.


Everything after the amp block runs in stereo. If you are able to run stereo, the wet effects will sound bigger and better. If you only use the L/Mono output of the Helix, everything will be summed to mono automatically. NOTE: Do not use just the Right output of the helix – some of the delays will not be audible if you do this.


Feel free to stack drive pedals for bigger sounds. All three one at once will give you a lead/solo tone. We’ve included three drive pedal options for you, but only two are assigned to foot switches. Feel free to assign your favorites.


There are eight snapshots included in this patch to get different sounds (all patches feature the same snapshots).

They are:

  • Snapshot 1: CLEAN. This is the base clean tone with delay.
  • Snapshot 2: DRIVE. Light overdrive.
  • Snapshot 3: DRIVE +: Bigger overdrive
  • Snapshot 4: P&W LEAD – Lead tone with lots of reverb and delay
  • Snapshot 5: CLEAN AMBI – Clean tone with big reverb.
  • Snapshot 6: TREM CLEAN – Clean tone with tremolo
  • Snapshot 7: AMBI DRIVE: Big rhythm tone with big verb
  • Snapshot 8: SWELLS – this uses the ‘Swells’ stomp button plus more verb and delay.



All guitars are different, so you may want to make changes to suite your playing style and guitar. We set this up with a variety of guitars, including both single coils and humbuckers (primarily a Telecaster style guitar). If your guitar has humbuckers, please refer to the suggested settings below.

We recommend making a copy of the patch and changing the copy just in case you want to revert back to the original. 

We’ve included both single coil and humbucker voiced patches to serve as starting points for your guitars. To make adjustments, we recommend starting with these parameters:

  • Amp Gain: Adjust the min/max values of the amp gain so that your guitar is slightly breaking up with big chords on the bridge position (without any drive pedals on)
  • Amp EQ controls: Adjust these to suite your individual guitars/taste
  • Cali Q Graphic EQ block: This is a simple way to adjust the overall tonal characteristics of the patch.


If you would like to make this patch louder or quieter without affecting tone, the following adjustments can be made:

“Ch Vol” control on the amp module. This will increase or decrease volume without affecting the tone of the amp. This is the primary level adjustment tool I use for changing patch volumes.

Output block level. Changing the level control on the output block (the very last thing in the signal chain) will increase or decrease overall volume. We typically have this set at zero, but feel free to adjust this as you see fit.


Initial Release (1.0): 2021-08-31


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