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Greatsell 17 – Tone Match Presets and Captures

Original price was: $14.99.Current price is: $7.99.

Line 6, Fractal, Kemper, TONEX, and Headrush Prime presets based on an original Goodsell Super 17

Available for:

  • Line 6 Helix, HX Stomp, POD Go
  • Fractal Axe-FX III, FM3, and FM9
  • TONEX and Amplitube
  • Headrush Prime
  • Kemper (Profiler and Stage)

Description

TONE MATCH PATCHES, CAPTURES, AND PROFILES OF AN ORIGINAL GOODSELL SUPER 17

For these presets, we have captured an original Goodsell Super 17 (serial number 0004). The result is set of presets and captures that sound exactly like our amp, and the microphones, preamps, and EQ chains that we use to record it.

Goodsell has become very well known and well respected in the boutique amp market, and the Super 17 is one of the original designs he made. The first Super 17’s were partially made from Hammond organ parts. Over the years the Super 17 has gone through several iterations, but the originals are highly revered. We think it sounds a bit like a Fender Tweed with its own flavor. We captured it through a Bogner 2×12 open back cab with a G12H30 and Greenback speaker, which we felt made the amp sound bigger and better.

We’ve captured the amp with a Royer 121 and Earthworks SR25 through a stereo Neve 1073 preamp.

Line 6 Patches available for Helix (floor, LT, and Native), HX Stomp (including Stomp XL), and POD Go.

This download includes patches for Helix, HX Stomp, and POD Go. Please make sure to import the appropriate patch for your hardware – they are not interchangeable.

  • Greatsell17 TM S – This patch uses the IR’s and is meant for guitars with single coils.
  • Greatsell17 TM H – This patch uses the IR’s and is meant for guitars with humbuckers.
  • NOTE: The HX Stomp and POD Go folders include ‘FX” patches. These patches include the additional effects blocks from the full Helix patch.

SIGNAL FLOW AND EFFECTS

  1. Input
  2. Compressor
  3. Pitch
  4. Drives: KOT, 808, Boost
  5. Volume – mapped to EXP 2
  6. Amp
  7. IR
  8. EQ
  9. Tremolo
  10. Chorus
  11. Delays: 1/8 delay, Dotted 8th delay, Dual stereo delay
  12. Reverbs: Hall (subtle), Dynamic Hall (huge)
  13. Output

The HX Stomp and POD Go patches cannot fit all the effects into a single patch. For those platforms, we include the amp and essential effects in the main patches, and then we include the additional effects blocks in the ‘FX’ patches. Feel free to mix and match the additional ‘FX’ blocks into the main patches to suite your needs.

SNAPSHOTS

  • Snapshot 1: CLEAN. Base clean tone
  • Snapshot 2: DRIVE. Stage 1 drive tone
  • Snapshot 3: DRIVE+. Big rhythm tone
  • Snapshot 4: P&W LEAD. Lead tone with lots of delay and verb
  • Snapshot 5: AMBIENT. Clean tone with lots of delay and verb
  • Snapshot 6: TREM CLEAN. Clean tone with tremolo
  • Snapshot 7: AMBI MOD. Ambient tone with chorus modulation
  • Snapshot 8: SWELLS. Solo tone with fewer reverb and delay effects

POD Go:

  • Snapshot 1: CLEAN. Base clean tone
  • Snapshot 2: DRIVE. Stage 1 drive tone
  • Snapshot 3: P&W LEAD. Lead tone with lots of delay and verb
  • Snapshot 4: AMBIENT. Ambient clean tone

NOTE: The HX Stomp patches do not include Snapshots. For HX Stomp users, we’ve also included a ‘Dual Amp’ patch which contains two instances of the amp/IR in stereo – use this if you run a stereo board into your Stomp.

Fractal Presets available for Axe-FX III, FM3, and FM9

This download includes patches for Axe-FX III, FM3, and FM9. Please make sure to import the appropriate patch for your hardware – they are not interchangeable.

  1. Greatsell 17 TM WT (SC)– this preset is voiced for single coils and low-output humbuckers
  2. Greatsell 17 WT (HB) – this preset is voiced for more traditional humbuckers

NOTE: The FM3 folder includes an ‘FX” patch. This patch includes the additional effects blocks from the full Axe-FX and FM9 patches. Feel free to substitute any of these effects blocks into the main patch to suite your needs.

SIGNAL FLOW AND EFFECTS

  1. Input
  2. Compressor
  3. Pitch
  4. Drives: KOT, 808, Boost
  5. Volume
  6. Amp
  7. User Cab (Tone Match)
  8. Tremolo
  9. Chorus
  10. Delays: 1/8 delay, Dotted 8th delay, Dual stereo delay
  11. Reverbs: Subtle and ambient
  12. Output

The FM3 presets cannot fit all the effects into a single patch. For that platform, we include the amp and essential effects in the main presets, and then we include the additional effects blocks in the ‘FX’ preset. Feel free to mix and match the additional ‘FX’ blocks into the main patches to suite your needs.

BLOCK CHANNELS

For each effect block, we set up all four channels to give you as many options as possible for each individual effect types. For example, in the Compressor block, there are four different types of compression. For drives, we use all available channels in each drive block to get different overdrive flavors. Please experiment with the channels in all the different blocks to find your favorites. Typically we use our favorites in Channel A.

The exceptions to this are usually the amp and cab blocks – for those we usually only set up Channel A.

CONTROL SWITCH 1 (CS1)

Control Switch 1 (CS1) is set to apply an input boost to the amp block (found in the Preamp tab of the amp block).

In order to adjust these settings, on the amp block, navigate to the ‘Preamp’ tab and adjust the Boost Type and Boost Level settings.

We’ve mapped it to a button labeled ‘Amp Gain’ on the FC controllers. See the ‘Per-Preset Mapping and Overrides’ for more info.

You can control which scenes have the Amp Gain button on using the ‘SC Per Scene’ tab in the ‘Controllers’ menu.

SCENES

  • SCENE 1: CLEAN. Base clean tone
  • SCENE 2: DRIVE. Stage 1 drive tone
  • SCENE 3: DRIVE+. Big rhythm tone
  • SCENE 4: P&W LEAD. Lead tone with lots of delay and verb
  • SCENE 5: AMBIENT. Clean tone with lots of delay and verb
  • SCENE 6: TREM CLEAN. Clean tone with tremolo
  • SCENE 7: AMBI MOD (ROCK LEAD in FM3). Ambient tone with chorus modulation
  • SCENE 8: SWELLS. Solo tone with fewer reverb and delay effects

In the output block under the ‘Scene Levels’ tab, we’ve adjusted the output level for various scenes. Adjust these to suite your needs.

TONEX AMP CAPTURE PRESETS – Compatible with the Tonex/Amplitube Software and the TONEX pedal

For Tonex, we have captured the amp through its entire gain range of the amp. The Amp Model Presets and are numbered – higher numbers mean more gain. The ‘Edge of Breakup’ settings that we like to use with a pedal board are usually the 2 and/or 3 capture.

KEMPER PROFILES AND PERFORMANCES – Compatible with the Kemper Head and Stage products

For Kemper, we have profiled the amp through its entire gain range of the amp. The Profiles and are numbered – higher numbers mean more gain. The ‘Edge of Breakup’ settings that we like to use with a pedal board are usually the 2 and/or 3 profiles.

KEMPER PERFORMANCES

We’ve also included fully featured Kemper performances with options for both single coils and humbuckers.

HEADRUSH PRIME (not compatible with other Headrush units)

For Headrush Prime, we’ve included both rigs (patches) and amp clone(s).

Headrush Prime Signal Flow:

  1. Input
  2. Compressor
  3. Pitch
  4. Overdrives
  5. Volume
  6. Amp Clone
  7. Tremolo
  8. Chorus
  9. Delays: 1/8 delay, Dotted 8th delay, Dual stereo delay
  10. Reverbs: Subtle and Ambient
  11. Output

FOOTSWITCH CONFIGURATION

We’ve programmed the switches on the Headrush Prime to act like a traditional pedalboard. You’ll see individual effects mapped to the different buttons and labeled appropriately. If you’d like to make changes, the process is simple – the Headrush Prime manual provides great documentation if you’d like to create scenes or other button mapping.

Additional information

Platform

Line 6 (Helix, HX Stomp, POD Go), Fractal (Axe-FX III, FM3, FM9), Kemper, TONEX, Headrush Prime

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