Description
TONE MATCH Gen2 PATCHES, CAPTURES, AND PROFILES OF A JMI 30/6 TOP BOOST
For these patches, we’ve captured a JMI 30/6 Top Boost amplifier. The result is a set of presets and captures that sound exactly like our amp, and the microphones, preamps, and EQ chains that we use to record it.
The first Vox’s ever made were produced by the Jennings Musical Instrument Company (JMI). Over the years, the ‘Vox’ brand has been owned by various companies, but the JMI brand has been resurrected, and they’re making faithful re-creations of the coveted 60’s Vox amplifiers. Our 30/6 Top Boost is a beautifully made re-creation of a mid-60’s AC30 Top Boost.
We captured the amp using a Royer 121 and Earthworks SR25 through a Neve 1073 DPX stereo preamp.
TONE MATCH (Gen 2) PATCHES (Applies to Line 6 and Fractal presets)
These are part of our ‘Tone Match’ line of patches. To create these patches, we make custom IR’s that ‘match’ the HX and Fractal amp models to our real-world amp. The result is the Line 6 and Fractal units sound almost exactly like our actual amplifiers.
The ‘Gen2’ indicates a new process we’ve used when Tone Matching our amplifiers that takes more of the amplifier’s cab and speaker into account, resulting in a more accurate tone match impulse response.
INDIVIDUAL UNIT DEAILS
PRESETS
This download includes patches for Helix, HX Stomp, and POD Go.
- JMI 30 Br/Nr TM2 SC – These presets are designed for guitars with single coils
- JMI 30 Br/Nr TM2 HB – These presets are designed for guitars with humbuckers
- NOTE: The HX Stomp and POD Go folders include ‘FX” patches. These patches include the additional effects blocks from the full Helix patch.
‘Br’ PRESETS: The ‘Br’’ presets feature the Brilliant channel with two amp blocks set up in a stereo pair with all the wet effects feeding into the amps. Think of it like running a large stereo pedalboard into two amplifiers set on the ‘edge of breakup’.
‘Nr’ PRESETS: The ‘Nr’ presets feature the Normal channel. In the ‘B’ presets, the modulation, delay, and reverb effects are placed after the single (mono) amplifier block. This replicates a studio setting where all the modulation, delay, and reverb effects are applied after the amplifier.
SIGNAL FLOW/EFFECTS
Br PRESETS:
- Input
- Compressor
- Drives
- Volume
- Modulation
- Delay
- Reverb
- Amps
- IRs
- Output
Nr PRESETS:
- Input
- Compressor
- Drives
- Volume
- Amps
- IRs
- Modulation
- Delay
- Reverb
- Output
The HX Stomp and POD Go presets also have a Vb and Nr template, but with limited effects. POD Go’s signal chain is much more limited, so the delays, reverbs, and modulation are placed after the amp block.
SNAPSHOTS
- Snapshot 1: CLEAN. Base clean tone
- Snapshot 2: DRIVE. Stage 1 drive tone
- Snapshot 3: DRIVE+. Big rhythm tone
- Snapshot 4: AMBI Lead. Lead tone with lots of delay and reverb
- Snapshot 5: AMBI CLEAN. Clean tone with lots of delay and verb
- Snapshot 6: CLEAN TREM. Clean tone with tremolo
- Snapshot 7: AMBI MOD: Modulation with lots of wet effects
- Snapshot 8: ROCK LEAD: Lead tone without huge wet effects
POD Go:
- Snapshot 1: CLEAN. Base clean tone
- Snapshot 2: DRIVE. Stage 1 drive tone
- Snapshot 3: P&W LEAD. Lead tone with lots of delay and verb
- Snapshot 4: AMBIENT. Ambient clean tone
NOTE: The HX Stomp patches do not include Snapshots.
TONEX AMP CAPTURE PRESETS – Compatible with the Tonex/Amplitube Software and the TONEX pedals
The tone model captures increase through the entire gain range of the amp including the Brilliant, Normal, and Jumpered channels.
The Tone Model presets are numbered, and the number corresponds to the level of gain in the tone model. Lower numbers equal lower gain, and higher numbers equal higher gain. Typically a ‘2’ or ‘3’ is the ‘edge of breakup’, and is the perfect option to use with pedals.
QUAD CORTEX CAPTURES
For Quad Cortex, we have captured the amp through its entire gain range of the amp for both channels, and for the Brilliant, Normal, and Jumped channels.
The tone models increase through the entire gain range of the amp. The Tone Model presets are numbered, and the number corresponds to the level of gain in the tone model. Lower numbers equal lower gain, and higher numbers equal higher gain. Typically a ‘2’ or ‘3’ is the ‘edge of breakup’, and is the perfect option to use with pedals.
ALL-IN-ONE PRESETS
- JMI 30 Br/Nr SC – This patch uses the user cabs and is meant for guitars with single coils.
- JMI 30 Br/Nr HB – This patch uses the user cabs and is meant for guitars with humbuckers.
Also included are two gig-ready (Sunday morning ready, to be more precise) all in one presets utilizing captures of these amps as well as some of our drive pedals. We’ve included different presets to let you experiment with signal chain – wet effects in front of amps or after amps. You can use these presets in both Scene and Stomp mode, and they cover a ton of sonic territory. Simply copy and paste the amp blocks from the channel you’d like to use into each preset.
HOW DO YOU GET THE CAPTURES?
When you place your order, we will need to manually send you the captures through the ‘Cortex Cloud’ app by Neural DSP, available for both iOS and Android devices. First, you need to have the app installed and you must have an account through the app (go here to create an account and access the app).
This is how we will send you the captures:
- Please include your Cortex Cloud app username in the ‘Notes’ field when checking out. If you do not include this, we cannot send you the captures. After we receive your order, we (WorshipTutorials) will follow you on the app.
- Follow ‘WorshipTutorials’ on the Cortex Cloud app. This will make us ‘friends’ through the app :). If you are not following us, we cannot send you the captures.
- After we receive your order, and we ‘Friends’ on the app, we will send you the captures through the app. We bundle the captures into presets, so you will receive one (or more) presets that include all the captures. You will find the captures in the ‘Shared with me’ section on your Quad Cortex.
- Please allow up to 5 business days for us to send you the captures. Most orders will be fulfilled within two business days or less. This fulfillment process must happen manually – we will do our best to get you the files quickly. Once the NDSP marketplace opens, this process may change.
PRESETS
This download includes patches for Axe-FX III, FM3, and FM9.
- JMI 30 Br/Nr TM2 SC – These presets are designed for guitars with single coils
- JMI 30 Br/Nr TM2 HB – These presets are designed for guitars with humbuckers
NOTE: The FM3 folder includes an ‘FX” patch. This patch includes the additional effects blocks from the full Axe-FX and FM9 patches. Feel free to substitute any of these effects blocks into the main patch to suite your needs. FM3 only includes one set of presets because the unit cannot run dual amp blocks.
‘Br’ PRESETS: The ‘Br’’ presets feature the Brilliant channel with two amp blocks set up in a stereo pair with all the wet effects feeding into the amps. Think of it like running a large stereo pedalboard into two amplifiers set on the ‘edge of breakup’.
‘Nr’ PRESETS: The ‘Nr’ presets feature the Normal channel. In the ‘B’ presets, the modulation, delay, and reverb effects are placed after the single (mono) amplifier block. This replicates a studio setting where all the modulation, delay, and reverb effects are applied after the amplifier.
SIGNAL FLOW AND EFFECTS
Br PRESETS:
- Input
- Compressor
- Drives
- Volume
- Modulation
- Delay
- Reverb
- Amps
- IRs
- Output
Nr PRESETS:
- Input
- Compressor
- Drives
- Volume
- Amps
- IRs
- Modulation
- Delay
- Reverb
- Output
The FM3 presets cannot fit all the effects into a single patch. For that platform, we include the amp and essential effects in the main presets, and then we include the additional effects blocks in the ‘FX’ preset. Feel free to mix and match the additional ‘FX’ blocks into the main patches to suite your needs.
SCENES
- Scene 1: CLEAN. Base clean tone
- Scene 2: DRIVE. Stage 1 drive tone
- Scene 3: DRIVE+. Big rhythm tone
- Scene 4: AMBI Lead. Lead tone with lots of delay and reverb
- Scene 5: AMBI CLEAN. Clean tone with lots of delay and verb
- Scene 6: CLEAN TREM. Clean tone with tremolo
- Scene 7: AMBI MOD: Modulation with lots of wet effects
- Scene 8: ROCK LEAD: Lead tone without huge wet effects
KEMPER PROFILES – Compatible with the Kemper Head, Stage, and Profiler Player products
The profiles increase through the entire gain range of the amp for the Brilliant, Normal, and Jumped channels.
The profiles are numbered, and the number corresponds to the level of gain in the tone model. Lower numbers equal lower gain, and higher numbers equal higher gain. Typically a ‘2’ or ‘3’ is the ‘edge of breakup’, and is the perfect option to use with pedals.
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