Description
NOTE: This play through was done with the Fractal Axe-FX III, but the Helix sounds and snapshots are very similar.
IMPORTANT NOTES
1. UPDATE YOUR FIRMWARE: Please upgrade the firmware on your Helix and the HX Edit software from Line 6 to the latest before installing this patch. Even if your Helix is up to date, the ‘HX Edit’ app needs to be updated as well. If you get an error importing a patch, the problem is most likely outdated firmware on your Helix/HX Edit.
2. IR CABS INCLUDED: This download includes two premium IR Cabs. We matched these specific IRs to this amp, but feel free to experiment with other IR’s for different tonal options. We’ve also included a stock cab version of the patch, but we urge to try the IRs – it really does sound better – and it’s included for free :).
Here are the IR’s included:
-
- WT Match G12H30 160 (top row)
- WT Blue AC 2×12 SR25 (bottom row)
With Firmware 2.90, Helix should recall the IR based on its name rather than slot number, so it shouldn’t matter which slot you import the IR into. To purchase additional IR packs, visit Worship Tutorials.
INCLUDED PATCHES
This download includes the following patches:
- RevSong WT IR: This is the main patch set up for guitars with single coil pickups or low output humbuckers.
- RevSong HB: This is the same as the first patch but set up for traditional or higher output humbuckers.
- RevSong WT: This is the same as the first patch but using stock cabs (again – try the IR’s).
NOTE: There are quite a few arrangements and versions of this song out there. We created this patch to give you a great baseline for doing most any version that features electric guitar.
HOW TO IMPORT THIS PATCH AND IR
- Connect your Helix to your computer using a USB Cable
- Download and instal the ‘HX Edit’ app from Line 6
- In the ‘HX Edit’ app, drag and drop the patch into a slot in the ‘PRESETS’ column
- To import an IR, switch to the ‘IMPULSES’ column (next to the PRESETS column), and drag & drop the IR into an available slot. PLEASE NOTE: If you do not have the IR loaded into the ‘IMPULSES’ column, the patch will not sound correct, even if you have the IR block on – you must drag and drop the IR into the IMPULSES column.
SNAPSHOTS
There are eight snapshots included in this patch to get different sounds (all patches feature the same snapshots).
They are:
- Snapshot 1:SWELLS: Big ambient swells
- Snapshot 2: AMBI CLEAN: Clean tone with lots of reverb and delay
- Snapshot 3: RHYTHM: Main rhythm tone
- Snapshot 4: RHYTHM +: Bigger drive/rhythm tone
- Snapshot 5: SOLO: Lead/solo tone. This song came about before worship lead tones had a ton of wet effects, so you’ll find less delay and reverb on this snap than you typically would in our patches. You can add more in if you’d like.
- Snapshot 6-8: not used
SIGNAL FLOW AND EFFECTS
- Input
- Deluxe Comp – not mapped to a switch, always on
- Heir Apparent – King of Tone Drive – mapped to switch labeled ‘Heir Apparent’
- Scream 808 – Tube Screamer OD – mapped to switch labeled ‘808’
- Volume (log curve) – mapped to EXP 2
- Amp – Matchstick Ch1
- Cab/IR’s – see above for IR info
- Cali Q Graphic – Always on EQ – Use this EQ to make tonal tweaks for your guitar/setup. These controls will affect your tone differently than the amp controls. See below for recommended settings.
- Tremolo – Mapped to a switch labeled ‘Tremolo’
- Transistor Tape Delay – Quarter note delay – mapped to switch labeled ‘1/4 DLY’
- Adriatic Delay – Dotted 8th note delay – mapped to switch labeled ‘1/8d Adri’
- Transistor Tape – Dual Stereo delay (1/8+1/8d) – mapped to a switch labeled ‘Dual DLY Tape)
- Plate verb – subtle ‘always on’ type reverb – mapped to switch labeled “Plate Verb’
- Glitz Verb – big modulated verb – mapped to switch labeled “Cloud Verb”
- Glitz Verb – big ambient verb – Used in the Swells snapshot
- Output
AMP GAIN BUTTON
We have mapped the ‘CH1 Drive’ and Bass’ parameters of the amp block to a button labeled ‘AMP GAIN’. Pressing this button will turn the gain up (and the bass down a bit). This gives you a pure amp overdrive, which sounds awesome. You can stack this with the drive pedals for big drive sounds.
USAGE
This patch is meant to be used in Snapshot mode, but we’ve laid out stomps as well if you’d like access to individual effects. We recommend setting up your Helix to use all ten stomps (stompbox mode) or all eight snapshots (snapshot mode). The Helix LT does not allow 10-button stomp mode, so you’ll have to re-arrange the button assignments to suite your preferences.
STEREO:
Everything after the amp block runs in stereo. If you are able to run stereo, the wet effects will sound bigger and better. If you only use the L/Mono output of the Helix, everything will be summed to mono automatically. NOTE: Do not use just the Right output of the helix – some of the delays will not be audible if you do this.
MAKING ADJUSTMENTS FOR YOUR SETUP
SETTING THE PATCH UP FOR YOUR GUITAR
All guitars are different, so you may want to make changes to suite your playing style and guitar. We set this up with a variety of guitars, including both single coils and humbuckers (primarily a Telecaster style guitar). If your guitar has humbuckers, please refer to the suggested settings below.
We recommend making a copy of the patch and changing the copy just in case you want to revert back to the original.
We’ve included both single coil and humbucker voiced patches to serve as starting points for your guitars. To make adjustments, we recommend starting with these parameters:
- Amp Gain: Adjust the min/max values of the amp gain so that your guitar is slightly breaking up with big chords on the bridge position (without any drive pedals on)
- Amp EQ controls: Adjust these to suite your individual guitars/taste
- Cali Q Graphic EQ block: This is a simple way to adjust the overall tonal characteristics of the patch.
VOLUME CHANGES
If you would like to make this patch louder or quieter without affecting tone, the following adjustments can be made:
“Ch Vol” control on the amp module. This will increase or decrease volume without affecting the tone of the amp. This is the primary level adjustment tool I use for changing patch volumes.
Output block level. Changing the level control on the output block (the very last thing in the signal chain) will increase or decrease overall volume. We typically have this set at zero, but feel free to adjust this as you see fit.
CHANGELOG
Initial Release (Version 1.0): 2021-03-12
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