WT TONE PASS (2022)

The Custom 20 is a hand-wired 20-watt combo amplifier from HIWATT. It delivers the legendary HIWATT sound in a more compact and lower wattage package. It’s only 20 watts, but it can sound enormous. This amp shines for both clean tones and classic rock rhythm tones.

The Dream Weaver combines classic American (Fender) and classic British (Marshall)  circuits. On the American side, there is a a Blonde (Bassman) and Tweedn (Deluxe) setting, and on the British side there are two different Plexi options. Every channel of this amp sounds incredible, making it an extremely versatile amplifier. The amp is in a 1×12 combo version with a Celestion Alnico Gold speaker.

The Mojotone 18w BMT amp is a hand-wired clone of a vintage Marshall 18w amp with the addition of a more customizable tone stack. Our is in a 2×12 combo with Celestion Greenbacks.

The MT15 is a collaboration between Paul Reed Smith and Mark Tremonti. It is meant to replicate Tremonti’s rhythm and lead tones, but also to have beautiful clean tones.

Our blue label 65 Amps London is a hand-wired boutique two-channel amplifier built as a collaboration between 65 Amps and Peter Stroud. The EF86 (Coulor) channel is loosely based on a 60’s AC15, while the 12ax7 (Tremolo) channel is based a 60’s Marshall 1974x. You get big warm tones with plenty of chime and grit between the two different channel options. We’ve tone-matched both channels.

The HM30 is Tyler’s take on the classic C-30 design from Matchless. It features two channels, a 12ax7 channel that is reminiscent of the brilliant channel of an AC30, and an EF86 channel that is thicker with more gain. Our HM30 features a ‘Ten Twelve’ closed back cabinet that has a ten inch Eminence speaker and a twelve inch Celestion G12H30 speaker.

Our JTM45 is a 90’s Mk II Re-issue, made in England. We paired it with a Mojotone 2×12 cab loaded with UK Celestion Greenback speakers. We mic’d the cab with a Royer 121 and Earthworks SR25 through a stereo Neve 1073 preamp.

The Telstar is one of our absolute favorite amps here at Worship Tutorials. It is Fender voiced, but it’s very unique. The cleans are beautiful and full – very three dimensional. And when push the amp with drive, the breakup is tight and refined.

This is a pristine example of a vintage ’65 black-panel non-reverb Princeton

This is a pristine example of a vintage ’65 black-panel non-reverb Princeton

Alessandro/Fender ’65 Deluxe Reverb – completely hand-wired Fender Deluxe Reverb to 1965 specs using the highest quality components.

The Vibrolux is an iconic amp in the Fender lineup. Ours is a vintage 1967 ‘Black Panel’ model with original Oxford speakers.

The Dual Citizen from 3rd Power is a boutique amp designed to nail classic tones from vintage Vox and Fender circuits

The Bogner Duende is a two-channel, vintage-voiced 1×12 combo amplifier that evokes Fender Deluxe and Marshall Plexi type tones.

The Majestic 40 is the Stu G signature amp from 3rd Power. It is meant to be a modern interpretation of Stu’s vintage Park combo amplifier.

The Fender ’64 Princeton Hand-wired Re-issue is a faithful reproduction of a vintage Princeton

The Monarch from Benson is a smaller amp that sound incredibly good and has a lot of versatility. It features two different voices via a toggle switch – American and British, which are designed to get classic Fender and Vox tones.

Our vintage 60’s Supro Thunderbolt features the original 15″ Jensen speaker, which gives it a massive sound. It’s very ‘vintage’ sounding, but still extremely versatile. It’s huge low end stays refined when pushed with gain. This amp delivers big rich cleans and driven tones with tons of harmonics.

From 1963 till mid-1964, Fender produced the 6G6-B Bassman, often referred to as the ‘Tuxedo’, given it’s mixture of brown and black-panel appointments. It is a highly coveted and rather rare version of the Bassman, and embodies tonal characteristics of the earlier tweed as well as the legendary black panel designs. We tone-matched these presets using the original 2×12 piggy-back cab loaded with the original vintage Oxford speakers.

The Imperial is Tone King’s take on a Fender Deluxe Reverb, but with some very welcome modern tweaks. To our ears, the low end is tightened up significantly, which results is much smoother and more use-able driven sounds from the amp. This is one of our all-time favorite Fender Deluxe tones..

The C-30 from Matchless is an absolutely legendary amp. This was Matchless’s first amp design, featuring a 12ax7 (Top Boost inspired) channel and an EF86 (thicker with more gain). Our is from 1994 – often referred to as the ‘Sampson era’. One of the best sounding amplifiers we’ve ever heard.

The Laurel Canyon is the first 6v6 amp from Matchless. You could think of it as Matchless’s take on a Princeton or Deluxe, but with a very ‘Matchless’ top end (read: chime and clarity).

The Fender/EVH 5150 iii is a 50 watt, 3-channel amplifier with a massive amount of gain on tap.

The Bad Cat Cub III 40 is somewhat based on a Matchless C30, but with it’s own character.

Benson Chimera 2×12 Combo

Matchless Chieftain presets and profiles

Vox AC30/6 Top Boost presets and profiles

WT SUPREME is a dual amp patch featuring the Matchless Chieftain and Vox AC30/6 Top Boost in stereo. It is only available for Helix, Stomp, Axe-FX III, and FM9.

Vintage mid-60’s Gretsch 6161. This 2×10 combo has tons of character and vibe