Description
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TONE MATCH PATCHES, CAPTURES, AND PROFILES OF OUR VINTAGE ’67 FENDER VIBROLUX
For these patches, we’ve captured a our vintage 1967 Fender Vibrolux. The result is a set of presets and captures that sound exactly like our amp, and the microphones, preamps, and EQ chains that we use to record it.
The Vibrolux is an iconic amplifier in Fender’s history. Ours is a ‘black panel’ Vibrolux from 1967. It’s a 2×10 combo with vintage Oxford speakers. At 40 watts, the Vibrolux excels at glassy Fender cleans, but it sounds fantastic turned up and overdriven. To our ears, the Vibrolux has more mids than a Deluxe, and it sounds especially good when overdriven. It stays tight and refined when pushed, either by turning the amp up or when using drive pedals.
We’ve captured and tone-matched the amp using a Royer 121 and Earthworks SR25 through a Neve 1073 DPX stereo preamp.
TONE MATCH (Gen 2) PATCHES (Applies to Line 6 and Fractal presets)
These are part of our ‘Tone Match’ line of patches. To create these patches, we make custom IR’s that ‘match’ the HX and Fractal amp models to our real-world amp. The result is the Line 6 and Fractal units sound almost exactly like our actual amplifiers.
The ‘Gen2’ indicates a new process we’ve used when Tone Matching our amplifiers that takes more of the amplifier’s cab and speaker into account, resulting in a more accurate tone match impulse response.
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