Description
This demo is for Line 6 HX and Fractal units. Scroll down to hear individual demos for each unit
TONE MATCH PATCHES, CAPTURES, AND PROFILES OF FENDER ‘THE EDGE’ DELUXE
For these presets and captures, we have captured Fender ‘The Edge’ Signature 5e3 Deluxe. The result is set of presets and captures that sound exactly like our amp, and the microphones, preamps, and EQ chains that we use to record it.
The ‘Edge’ Deluxe from Fender is a signature amp for The Edge from U2. While Edge is known for playing an AC30, a vintage 5E3 Deluxe has always been part of his secret tone recipe. The signature Edge 5e3 Deluxe features a few tweaks to the hand-wired circuit as well as a Celestion Alnico Blue speaker. The result is the familiar 5e3 Deluxe tone but with a bit more headroom and chime. If you love vintage Fender tone, you’ll love The Edge’s take on the Deluxe.
The cabinet is loaded with a Celestion Alnico Blue. We’ve tone-matched the mic’d cabinet with a Royer 121 and Earthworks SR25 through a stereo Neve 1073 preamp.
PATCHES
This download includes patches for Helix, HX Stomp, and POD Go. Please make sure to import the appropriate patch for your hardware – they are not interchangeable.
- EDG DLX TM WT SC – This patch uses the IR’s and is meant for guitars with single coils.
- EDG DLX TM WT HB – This patch uses the IR’s and is meant for guitars with humbuckers.
- NOTE: The HX Stomp and POD Go folders include ‘FX” patches. These patches include the additional effects blocks from the full Helix patch.
SIGNAL FLOW AND EFFECTS
- Input
- Compressor
- Pitch
- Drives: KOT, 808
- Volume – mapped to EXP 2
- Amp
- IR
- EQ
- Tremolo
- Chorus
- Delays: 1/8 delay, Dotted 8th delay, Dual stereo delay
- Reverbs: Hall (subtle), Dynamic Hall (huge)
- Output
The HX Stomp and POD Go patches cannot fit all the effects into a single patch. For those platforms, we include the amp and essential effects in the main patches, and then we include the additional effects blocks in the ‘FX’ patches. Feel free to mix and match the additional ‘FX’ blocks into the main patches to suite your needs.
SNAPSHOTS
- Snapshot 1: CLEAN-ISH. Base clean tone
- Snapshot 2: DRIVE. Stage 1 drive tone
- Snapshot 3: DRIVE+. Big rhythm tone
- Snapshot 4: P&W LEAD. Lead tone with lots of delay and verb
- Snapshot 5: AMBIENT. Clean tone with lots of delay and verb
- Snapshot 6: CLEAN CHORUS. Clean tone with chorus
- Snapshot 7: CLEAN TREM. Like Snapshot 4 but with POG
- Snapshot 8: ROCK LEAD. Solo tone with fewer reverb and delay effects
POD Go:
- Snapshot 1: CLEAN. Base clean tone
- Snapshot 2: DRIVE. Stage 1 drive tone
- Snapshot 3: P&W LEAD. Lead tone with lots of delay and verb
- Snapshot 4: AMBIENT. Ambient clean tone
NOTE: The HX Stomp patches do not include Snapshots
INCUDED PRESETS
This download includes patches for Axe-FX III, FM3, and FM9. Please make sure to import the appropriate patch for your hardware – they are not interchangeable.
- EDG DLX TM WT (SC)– this preset is voiced for single coils and low-output humbuckers
- EDG DLX TM WT (HB) – this preset is voiced for more traditional humbuckers
NOTE: The FM3 folder includes an ‘FX” patch. This patch includes the additional effects blocks from the full Axe-FX and FM9 patches. Feel free to substitute any of these effects blocks into the main patch to suite your needs.
SIGNAL FLOW AND EFFECTS
- Compressor
- Pitch (POG)
- Drives: SDD Preamp, 808, Fuzz, and more
- Volume
- Amp, User cab
- Tremolo
- Chorus
- Delays: 1/8 delay, Dotted 8th delay, Dual stereo delay
- Reverbs: Subtle and Huge
The FM3 presets cannot fit all the effects into a single patch. For that platform, we include the amp and essential effects in the main presets, and then we include the additional effects blocks in the ‘FX’ preset. Feel free to mix and match the additional ‘FX’ blocks into the main patches to suite your needs.
BLOCK CHANNELS
For each effect block, we set up all four channels to give you as many options as possible for each individual effect types. For example, in the Compressor block, there are four different types of compression. For drives, we use all available channels in each drive block to get different overdrive flavors. Please experiment with the channels in all the different blocks to find your favorites. Typically we use our favorites in Channel A.
The exceptions to this are usually the amp and cab blocks – for those we usually only set up Channel A.
CONTROL SWITCH 1 (CS1)
Control Switch 1 (CS1) is set to change amp gain settings. This essentially gives you another drive – pure amp overdrive.
In order to adjust these settings, on the amp block, right-click on ‘Input Drive’. Adjust the ‘Min’ and ‘Max’ values to set your desired amount of drive for when the button is off (Min) or on (Max).
We’ve mapped it to a button labeled ‘Amp Gain’ on the FC controllers. See the ‘Per-Preset Mapping and Overrides’ for more info.
You can control which scenes have the Amp Gain button on using the ‘SC Per Scene’ tab in the ‘Controllers’ menu.
SCENES
- SCENE 1: CLEAN-ISH. Base clean tone
- SCENE 2: DRIVE. Stage 1 drive tone
- SCENE 3: DRIVE+. Big rhythm tone
- SCENE 4: P&W LEAD. Lead tone with lots of delay and verb
- SCENE 5: AMBIENT. Clean tone with lots of delay and verb
- SCENE 6: CLEAN CHORUS. Clean tone with chorus
- SCENE 7: CLEAN TREM. Like Snapshot 4 but with POG
- SCENE 8: ROCK LEAD. Solo tone with fewer reverb and delay effects
In the output block under the ‘Scene Levels’ tab, we’ve adjusted the output level for various scenes. Adjust these to suite your needs.
TONEX AMP CAPTURE PRESETS – Compatible with the Tonex/Amplitube Software and the TONEX pedal
For Tonex, we have captured the amp through its entire gain range of the amp for both the Instrument and Mic channels. The Amp Model Presets and are numbered – higher numbers mean more gain. The ‘Edge of Breakup’ settings that we like to use with a pedal board are usually the 2 and/or 3 capture.
QUAD CORTEX CAPTURES
For Quad Cortex, we have captured the amp through its entire gain range of the amp. The captures and are numbered – higher numbers mean more gain. The ‘Edge of Breakup’ settings that we like to use with a pedal board are usually the 2 and/or 3 capture.
ALL-IN-ONE PRESETS
Also included are gig-ready (Sunday morning ready, to be more precise) all in one presets utilizing captures of this amp and our drive pedals. We’ve included separate presets for both single coil quipped and humbucker equipped guitars. You can use these presets in both Scene and Stomp mode, and they cover a ton of sonic territory.
HOW DO YOU GET THE CAPTURES?
When you place your order, we will need to manually send you the captures through the ‘Cortex Cloud’ app by Neural DSP, available for both iOS and Android devices. First, you need to have the app installed and you must have an account through the app (go here to create an account and access the app).
This is how we will send you the captures:
- Please include your Cortex Cloud app username in the ‘Notes’ field when checking out. If you do not include this, we cannot send you the captures. After we receive your order, we (WorshipTutorials) will follow you on the app.
- Follow ‘WorshipTutorials’ on the Cortex Cloud app. This will make us ‘friends’ through the app :). If you are not following us, we cannot send you the captures.
- After we receive your order, and we ‘Friends’ on the app, we will send you the captures through the app. We bundle the captures into presets, so you will receive one (or more) presets that include all the captures. You will find the captures in the ‘Shared with me’ section on your Quad Cortex.
- Please allow up to 5 business days for us to send you the captures. Most orders will be fulfilled within two business days or less. This fulfillment process must happen manually – we will do our best to get you the files quickly. Once the NDSP marketplace opens, this process may change.
KEMPER PROFILES AND PERFORMANCES – Compatible with the Kemper Head and Stage products
For Kemper, we have profiled the amp through its entire gain range of the amp for all available channels (Instrument, Mic, and Jumped). The Profiles and are numbered – higher numbers mean more gain. The ‘Edge of Breakup’ settings that we like to use with a pedal board are usually the 2 and/or 3 profiles.
KEMPER PERFORMANCES
We’ve also included fully featured Kemper performances with options for both single coils and humbuckers.
HEADRUSH PRIME (not compatible with other Headrush units)
For Headrush Prime, we’ve included both rigs (patches) and amp clone(s).
SIGNAL FLOW AND EFFECTS
- Input
- Compressor
- Pitch
- Drives
- Volume
- Amp Clone
- Tremolo
- Chorus
- Delays: 1/8 delay, Dotted 8th delay, Dual stereo delay
- Reverbs: Subtle and Ambient
- Output
BUTTON CONFIGURATION
We’ve programmed the buttons on the Headrush Prime to act like a traditional pedalboard. You’ll see individual effects mapped to the different buttons and labeled appropriately. If you’d like to make changes, the process is simple – the Headrush Prime manual provides great documentation if you’d like to create scenes or other button mapping.
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