RED HILLS – Tone Match Gen2 Presets and Captures

TONEX AMP CAPTURE PRESETS – Compatible with the Tonex/Amplitube Software and the TONEX pedals

The tone model captures increase through the entire gain range of the amp for all available channels.

The Tone Model presets are numbered, and the number corresponds to the level of gain in the tone model. Lower numbers equal lower gain, and higher numbers equal higher gain. Typically a ‘2’ or ‘3’ is the ‘edge of breakup’, and is the perfect option to use with pedals.

QUAD CORTEX CAPTURES

For Quad Cortex, we have captured the amp through its entire gain range of the amp for all available channels.

The captures are numbered, and the number corresponds to the level of gain in the tone model. Lower numbers equal lower gain, and higher numbers equal higher gain. Typically a ‘2’ or ‘3’ is the ‘edge of breakup’, and is the perfect option to use with pedals.

ALL-IN-ONE PRESET

Also included are gig-ready all in one preset utilizing captures of this amp and our drive pedals. The preset uses multiple captures of the amp (to emulate switching channels) as well as a dialed in suite of effects. Works in both Stomp and Scene modes.

HOW DO YOU GET THE CAPTURES?

When you place your order, we will need to manually send you the captures through the ‘Cortex Cloud’ app by Neural DSP, available for both iOS and Android devices. First, you need to have the app installed and you must have an account through the app (go here to create an account and access the app).

This is how we will send you the captures:

1. Please include your Cortex Cloud app username in the ‘Notes’ field when checking out. If you do not include this, we cannot send you the captures. After we receive your order, we (WorshipTutorials) will follow you on the app.
2. Follow ‘WorshipTutorials’ on the Cortex Cloud app. This will make us ‘friends’ through the app :). If you are not following us, we cannot send you the captures.
3. After we receive your order, and we ‘Friends’ on the app, we will send you the captures through the app. We bundle the captures into presets, so you will receive one (or more) presets that include all the captures. You will find the captures in the ‘Shared with me’ section on your Quad Cortex.
4. Please allow up to 5 business days for us to send you the captures. Most orders will be fulfilled within two business days or less. This fulfillment process must happen manually – we will do our best to get you the files quickly. Once the NDSP marketplace opens, this process may change.

Fractal Presets available for Axe-FX III, FM3, and FM9

This download includes patches for Axe-FX III, FM3, and FM9 with options for both single coils and humbuckers. Please make sure to import the appropriate patch for your hardware – they are not interchangeable.

Two sets of presets. We’ve created two separate sets of presets – one with the Jackson ported cab (loaded with a Celestion Gold) and one with a Matchless 2×12 cab (loaded with mis-matched cream backs). The Matchless cab version is labeled ‘M’ and uses the ‘M’ labeled IR’s.

• Red Hills/Red Hills M TM2 SC – Meant for guitars with single coils
• Red Hills/Red Hills M TM2 HB – Meant for guitars with humbuckers

NOTE: The FM3 folder includes an ‘FX” patch. This patch includes the additional effects blocks from the full Axe-FX and FM9 patches. Feel free to substitute any of these effects blocks into the main patch to suite your needs. FM3 only includes one set of presets because the unit cannot run dual amp blocks.

SIGNAL FLOW AND EFFECTS

1. Input
2. Compressor
3. Pitch
4. Drives
5. Volume
6. Modulation
7. Delay
8. Reverb
9. Amps
10. IRs
11. Output

The FM3 presets cannot fit all the effects into a single patch. For that platform, we include the amp and essential effects in the main presets, and then we include the additional effects blocks in the ‘FX’ preset. Feel free to mix and match the additional ‘FX’ blocks into the main patches to suite your needs.

BLOCK CHANNELS

For each effect block, we set up all four channels to give you as many options as possible for each individual effect types. For example, in the Compressor block, there are four different types of compression. For drives, we use all available channels in each drive block to get different overdrive flavors. Please experiment with the channels in all the different blocks to find your favorites. Typically we use our favorites in Channel A.

The exceptions to this are usually the amp and cab blocks – for those we usually only set up Channel A.

SCENES

• Scene 1: CLEAN. Base clean tone
• Scene 2: DRIVE. Stage 1 drive tone
• Scene 3: DRIVE+. Big rhythm tone
• Scene 4: P&W Lead. Lead tone with lots of delay and reverb
• Scene 5: AMBI CLEAN. Clean tone with lots of delay and verb
• Scene 6: AMBI MOD. Ambient clean with modulation
• Scene 7: ROCK LEAD: Lead tone with fewer wet effects
• Scene 8: SWELLS: Ambient swells

KEMPER PROFILES – Compatible with the Kemper Head, Stage, and Profiler Player products

The profiles increase through the entire gain range of the amp for all available channels. Higher numbers indicate higher levels of gain.