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HIWATT Custom 20

The Custom 20 is a hand-wired 20-watt combo amplifier from HIWATT. It delivers the legendary HIWATT sound in a more compact and lower wattage package. It’s only 20 watts, but it can sound enormous. This amp shines for both clean tones and classic rock rhythm tones.

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3rd Power Dream Weaver

The Dream Weaver combines classic American (Fender) and classic British (Marshall)  circuits. On the American side, there is a a Blonde (Bassman) and Tweedn (Deluxe) setting, and on the British side there are two different Plexi options. Every channel of this amp sounds incredible, making it an extremely versatile amplifier. The amp is in a 1×12 combo version with a Celestion Alnico Gold speaker.

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PRS MT15

The MT15 is a collaboration between Paul Reed Smith and Mark Tremonti. It is meant to replicate Tremonti’s rhythm and lead tones, but also to have beautiful clean tones.

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65 Amps London

Our blue label 65 Amps London is a hand-wired boutique two-channel amplifier built as a collaboration between 65 Amps and Peter Stroud. The EF86 (Coulor) channel is loosely based on a 60’s AC15, while the 12ax7 (Tremolo) channel is based a 60’s Marshall 1974x. You get big warm tones with plenty of chime and grit between the two different channel options. We’ve tone-matched both channels.

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Tyler HM30

The HM30 is Tyler’s take on the classic C-30 design from Matchless. It features two channels, a 12ax7 channel that is reminiscent of the brilliant channel of an AC30, and an EF86 channel that is thicker with more gain. Our HM30 features a ‘Ten Twelve’ closed back cabinet that has a ten inch Eminence speaker and a twelve inch Celestion G12H30 speaker.

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Marshall JTM45

Our JTM45 is a 90’s Mk II Re-issue, made in England. We paired it with a Mojotone 2×12 cab loaded with UK Celestion Greenback speakers. We mic’d the cab with a Royer 121 and Earthworks SR25 through a stereo Neve 1073 preamp.

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Carr Telstar

The Telstar is one of our absolute favorite amps here at Worship Tutorials. It is Fender voiced, but it’s very unique. The cleans are beautiful and full – very three dimensional. And when push the amp with drive, the breakup is tight and refined.

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