PHDx 100 – Tone Match Gen2 Presets and Captures

TONEX AMP CAPTURE PRESETS – Compatible with the Tonex/Amplitube Software and the TONEX pedals

The tone models increase through the entire gain range of the amp. We’ve delivered three sets of captures

• One set captured through the Marshall 1982B JH 4×12 cab with Celestion G12C speakers
• One set captured through a REVV 4×12 cab with V30/Creamback speakers
• One set captured direct (you will need to add your own Impulse Repsonses to these)

We also captured several different switching options on the amp:

• B = Bright switch in the up position
• HMG = High Mid Gain switch on

The Tone Model presets are numbered, and the number corresponds to the level of gain in the tone model. Lower numbers equal lower gain, and higher numbers equal higher gain. Typically a ‘2’ or ‘3’ is the ‘edge of breakup’, and is the perfect option to use with pedals.

QUAD CORTEX CAPTURES

For Quad Cortex, we have captured the amp through its entire gain range of the amp for both channels

The tone models increase through the entire gain range of the amp. We’ve delivered three sets of captures

• One set captured through the Marshall 1982B JH 4×12 cab with Celestion G12C speakers
• One set captured through a REVV 4×12 cab with V30/Creamback speakers
• One set captured direct (you will need to add your own Impulse Repsonses to these)

We also captured several different switching options on the amp:

• B = Bright switch in the up position
• HMG = High Mid Gain switch on

The Tone Model presets are numbered, and the number corresponds to the level of gain in the tone model. Lower numbers equal lower gain, and higher numbers equal higher gain. Typically a ‘2’ or ‘3’ is the ‘edge of breakup’, and is the perfect option to use with pedals.

ALL-IN-ONE PRESETS

• PHDx 100 A/B TM2 SC – This patch uses the user cabs and is meant for guitars with single coils.
• PHDx 100 A/B TM2 HB – This patch uses the user cabs and is meant for guitars with humbuckers.

Also included are two gig-ready (Sunday morning ready, to be more precise) all in one presets utilizing captures of these amps as well as some of our drive pedals. We’ve included different presets to let you experiment with signal chain – wet effects in front of amps or after amps. You can use these presets in both Scene and Stomp mode, and they cover a ton of sonic territory. Simply copy and paste the amp blocks from the channel you’d like to use into each preset.

HOW DO YOU GET THE CAPTURES?

When you place your order, we will need to manually send you the captures through the ‘Cortex Cloud’ app by Neural DSP, available for both iOS and Android devices. First, you need to have the app installed and you must have an account through the app (go here to create an account and access the app).

This is how we will send you the captures:

1. Please include your Cortex Cloud app username in the ‘Notes’ field when checking out. If you do not include this, we cannot send you the captures. After we receive your order, we (WorshipTutorials) will follow you on the app.
2. Follow ‘WorshipTutorials’ on the Cortex Cloud app. This will make us ‘friends’ through the app :). If you are not following us, we cannot send you the captures.
3. After we receive your order, and we ‘Friends’ on the app, we will send you the captures through the app. We bundle the captures into presets, so you will receive one (or more) presets that include all the captures. You will find the captures in the ‘Shared with me’ section on your Quad Cortex.
4. Please allow up to 5 business days for us to send you the captures. Most orders will be fulfilled within two business days or less. This fulfillment process must happen manually – we will do our best to get you the files quickly. Once the NDSP marketplace opens, this process may change.

PRESETS

This download includes patches for Axe-FX III, FM3, and FM9. Please make sure to import the appropriate patch for your hardware – they are not interchangeable.

• PHDx 100 A/B TM2 SC – This patch uses the user cabs and is meant for guitars with single coils.
• PHDx 100 A/B TM2 HB – This patch uses the user cabs and is meant for guitars with humbuckers.

NOTE: The FM3 folder includes an ‘FX” patch. This patch includes the additional effects blocks from the full Axe-FX and FM9 patches. Feel free to substitute any of these effects blocks into the main patch to suite your needs. FM3 only includes one set of presets because the unit cannot run dual amp blocks.

A PRESET: The ‘A’ presets feature two amp blocks set up in a stereo pair with all the wet effects feeding into the amps. Think of it like running a large stereo pedalboard into two amplifiers set on the ‘edge of breakup’.

B PRESET: The ‘B’ presets allow to you increase the gain on the amp with a foot switch. You’ll see this switch labeled in the presets, and it is also programmed into the Scenes. In the ‘B’ presets, the modulation, delay, and reverb effects are placed after the amplifier blocks.

*FM3 only includes one set of presets because it cannot use stereo amp blocks.

SIGNAL FLOW AND EFFECTS

SIGNAL FLOW AND EFFECTS – ‘A’

1. Input
2. Compressor
3. Pitch
4. Drives
5. Volume
6. Modulation
7. Delay
8. Reverb
9. Amps
10. IRs
11. Output

SIGNAL FLOW AND EFFECTS – ‘B’

1. Input
2. Compressor
3. Drives
4. Volume
5. Amp Blocks
6. IR
7. Modulation
8. Delay
9. Reverb
10. Output

SCENES

Each preset includes scenes that allow you to access preset sounds with the press of a single button. These include clean to lead type tones, as well as modulated and ambient tones.

KEMPER PROFILES – Compatible with the Kemper Head, Stage, and Profiler Player products

The profiles increase through the entire gain range of the amp. We’ve delivered three sets of captures

• One set captured through the Marshall 1982B JH 4×12 cab with Celestion G12C speakers
• One set captured through a REVV 4×12 cab with V30/Creamback speakers
• One set captured direct (you will need to add your own Impulse Repsonses to these)

We also captured several different switching options on the amp:

• B = Bright switch in the up position
• HMG = High Mid Gain switch on

The profiles presets are numbered, and the number corresponds to the level of gain in the tone model. Lower numbers equal lower gain, and higher numbers equal higher gain. Typically a ‘2’ or ‘3’ is the ‘edge of breakup’, and is the perfect option to use with pedals.