MainStage Patch for the song Cornerstone by Hillsong Worship. Includes instruments and effects dialed in to replicate the different sections of the song for your keyboard player. Pads 11 included (in all 12 keys)!
Full multitrack for ‘Ever Be’ by Chris Sligh (originally recorded by Bethel Music). You get multiple keys and practice tracks. See below for the video demo of the full arrangement and more information about everything that’s included.
Arrangement: Chris Tomlin – The Noise We Make Keys included: A, B, C, D, E, F, and G Song Data: Album Key – D // Tempo: 87bpm, 4/4 time Listen on iTunes
On the album, the song is in D which suitable for a male lead. For most male vocalists, use key of B, C, or D. For a female voice, try F, G, or A.
Fractal Audio Axe-FX III Preset for the song Gratitude by Brandon Lake. Includes scenes to replicate the different song sections and custom per-preset mapping and overrides for use with the Fractal FC-12. The preset is stock (no 3rd party IR’s required), and includes options for both single coil and humbucker equipped guitars.
Fractal Axe-FX III, FM3, and FM9 preset featuring our vintage Gretsch 6161 amplifier. For this preset, we’ve tone matched the Fractal hardware to the actual amplifier, resulting in patch that sounds almost exactly like the amp. Includes scenes to for instant sounds and custom per-preset mapping and overrides for use with the FC Controllers. This preset is also perfect for running a stereo board into it.
Fractal Axe-FX III preset based on the Trainwreck Liverpool amp model. Includes scenes to for instant sounds and custom per-preset mapping and overrides for use with the Fractal FC-12.
Full multitrack for ‘What A Beautiful Name’ by Worship Tutorials (originally recorded by Hillsong Worship). You get multiple keys and practice tracks. See below for the video demo of the full arrangement and more information about everything that’s included.
Fractal tone match presets featuring a Hiwatt Custom 20 amplifier. For these presets, we’ve tone matched the Fractal amp models to the actual amplifier, resulting in patch that sounds almost exactly like the amp.